According to the Chinese conception of human being, it is composed of ‘two souls’: Pò 魄, ‘corporeal’ or ‘terrestrial soul’, and Hún 魂, ‘ethereal soul’. This way of understanding the human being is closely related to the practice of veneration of ancestors.
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In Chinese Martial Arts, the figure of the teacher is of vital importance, since anyone who wants to learn a martial art needs a teacher to transmit the teaching. In the West, many times the role of the teacher is misinterpreted; to understand it better, we must first examine the figure of the teacher in the religious tradition of China.
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Grand Master Wong Gong 黄江, current Guardian of the Hung Sing 雄勝 School of Jiāngmén, lives in Hong Kong, where he has continued teaching Choy Li Fut until today.
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Unlike most philosophical-religious traditions of the West, which emphasize eternal life and the immutable, in China and the rest of Asia, existence was understood as a constant change, expressed by the idea of impermanence. In Chinese martial arts this idea is applied by non-opposition of resistance.
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Pǔ’ěr 普洱 is the name of a prefecture city in the Chinese province of Yúnnán 雲南. Therefore, formerly Pǔ’ěr was the name for which the tea from this region was known. What we call red tea is actually a type of Pǔ’ěr. But there is also another type, which is the most appreciated in China.
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“Clouds and Rain on Mount Wūshān” (巫山雲雨 Wū Shān yún yǔ) is an expression provenient from an erotic scene contained in a poem from the 3rd century B.C. The Chinese have incorporated this expression into spoken language to poetically signify the physical act of love between man and woman. Let’s take a look at the story behind it, whose authorship is attributed to Sòng Yù 宋玉.
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Huá Tuó 華佗 (145-208) was a famous Chinese physician who lived during the time of the Eastern Hàn dynasty 東漢 and the Three Kingdoms (三國 Sān Guó) Period. Specialist in medicinal plants, acupuncture, pediatrics and gynecology, he is one of those historical characters turned legend.
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In Chinese culture, the concepts of Wǔ 武 and Wén 文, which represent the military and civil spheres in government, are considered opposite but complementary. At the individual level, these concepts find their best representation in two seemingly antithetical but very similar arts: swordsmanship (Dāo Fǎ 刀法) and calligraphy (Shū Fǎ 書法).
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Last January we were lucky enough to participate in an interview conducted by the newspaper Southern Metropolis Daily (南方都市报 Nánfāng Dūshì Bào) to our Sifu Poon Seon Seoi 潘顺遂, in which we recounted some experiences of our common story.
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The Spring Festival (Chūn Jié 春节) marks the beginning of the new year according to the Chinese calendar, on the second new moon after the winter solstice.
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